MFA|EDA SALON
ver. six point five


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Lexi Bass (’18)
05.18.20

Next Next Premise
Lexi Bass, 2020, 9min
Follow-up to MFA|EDA family favorite, Next Premise (2017)


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Dani Smith (’19)
05.11.20

Klute
Starring: Jane Fonda and Donald Sutherland
Cinematography: Gordon Willis
Alan J. Pakula, 1971, Color 114min

I am home but not the home I necessarily want to be in. I feel like I am in limbo in an alternate universe simulation. Covid-19 has turned all of our lives upside down, and for me that means spending the next month or so living with my family on top of the two months we have already spent with them. It is rare for Alex and I to find time to relax between interactions with my parent’s, my grandma, three dogs and three cats, and so knowing that there is such a thing as too much time with people, my capacity to be around my family has almost disappeared.

But amid the chaos of home life, I was able to find and experience the wonderful film ‘Klute’. My parents didn’t have netflix at the time (we changed that recently) and so I found myself browsing cable channels late at night trying to find some escape from the other room TV where my parents watched their usual shows like American Idol. Turner Classic Movies, better known as TCM, caught my eye and it just so happened that ‘Klute’, the film this recommendation is for, was on. I have always felt like I like Jane Fonda but I have only seen two films that she has been in, Monster in Law and Barbarella, both on very extreme ends of any scale. So with my curiousity intrigued I hunkered down not knowing what to expect, only to be sucked into this noir feminist thriller, with my heart racing and eyes glued to the screen until the very end. It is because of this film’s ‘dark’ lighting and cinematography by Gordon Willis that he was seeked out by Francis Ford Coppola to film The Godfather (at least that’s what TCM said).

I was honestly blown away by this film and I found two analyses that sum it up better than I ever could, both can be found below. Please watch this film for the cinematography alone, but Jane Fonda is amazing and well deserving of her Oscar for her role in this film.

Analysis by Beatrice Loayza
https://film.avclub.com/new-to-the-criterion-collection-klute-finds-a-sharply-1836288133

Found on Criterion:
https://www.criterion.com/films/28708-klute

“With her Oscar-winning turn in Klute, Jane Fonda reinvented herself as a new kind of movie star. Bringing nervy audacity and counterculture style to the role of Bree Daniels—a call girl and aspiring actor who becomes the focal point of a missing-person investigation when detective John Klute (Donald Sutherland) turns up at her door—Fonda made the film her own, putting an independent woman and escort on-screen with a frankness that had not yet been attempted in Hollywood. Suffused with paranoia by the conspiracy-thriller specialist Alan J. Pakula, and lensed by master cinematographer Gordon Willis, Klute is a character study thick with dread, capturing the mood of early-1970s New York and the predicament of a woman trying to find her own way on the fringes of society.”

This film can be rented on Youtube, Vudu or Amazon Prime for $3.99, or you can buy a physical copy on Criterion or somewhere else.


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Heron+Fox
05.10.20


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Pancho+Lefty
05.10.20


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Anna+Libi (’15)
05.04.20